Vendredi
(the events described below take place approximately eight months after Simon's disappearance)
The room is completely dark, lit only by Biscuit’s cigarette and the beam of the streetlight shining in. I stare over at the faint ghost on the other side of the room. Biscuit hasn’t moved for hours. He just lies in bed, staring at the ceiling.
“I’m so bored I’m going crazy,” I say, hoping to elict some kind of response. I have no idea why it surprises me when there is none.
“I heard Cassie called.”
Biscuit takes a drag off his cigarette.
“She’s, uh, she’s been throwing up a lot lately.”
Biscuit looks over at me, but just for a second.
“Is she, um, is she like preagnant…”
-there is a quick glimpse in my head, the image of a young girl in her twenties keeling over as a sudden pain comes over her-
“…or something?”
Biscuit makes a low, quick, moaning sound in the back of his throat.
“Well, I’m, uh, I’m going out – like right now, yeah,” I say, and as usual, there is no response from Biscuit.
***
I’m outside, walking down the street with my hands in my pockets and thinking of home, of fishing with Warren Proyas, of lighting magazines on fire behind Mr. Botnick’s car, of chasing my sister into a deserted woodshack, of stealing pills from Simon’s grandmother’s medicine cabinet when I realize I have no idea where I am. I have become lost in the suburban maze and eventually succumb to panic when I cannot locate a street sign anywhere. I walk in a complete circle around a green dumpster sitting on the curb before sitting down on in the middle of the street.
It is very quiet in this suburb and I can faintly hear cars in the distance. I wonder if anyone in the cars knows me. I turn my head and look at the house on the other side of the street. I spot a window on the ground floor. Through it I can see a girl, slightly older than me combing her hair in front of a mirror. I study her for a long time to make sure I don’t know her and have never met her before I get out my cellphone and dial 411.
I have done this so many times that the process is automatic. Jodie Mercer is my operator tonight.
“Good evening, how can I help you?”
“Hey…ah…Jodie. What’s…what’s up?”
“God damn it, Vendredi, what do you want now?”
“I’m, um, I’m on this street…”
“You know that what you’re doing is illegal.”
“Uh…”
“It’s sexual harassment, Vendredi.”
“I just…want to know…what’s – what’s right…you know?”
“I’m sure it could even be constituted as rape.”
“Could you just…help me here, Jodie? I mean, I am, like, lost, you know.”
-the girl is clutching her stomach-
“Fine. Whatever. Where are you?”
“Well, I like, went walking, and I turned a right on Temple Fields, and I, I headed into the graves and,uh, past there…”
There is an incredibly exasperated sigh from Jodie. “You’re out by Mossy Hill? What the hell are you doing?”
“I’m just…you know, I just like, well, got here…you know?”
There is another sigh.
“Okay,” Jodie says impatiently. “If you walked straight past the upper graves you should on Brown Place, which makes sense because you’re lost and there aren’t any street signs-“
“Yes-“
“And all I need from you now is the house number.”
I walk backwards a few steps, backing into the street that the house actually faces and quickly spot the gold numbers by the front door.
“78180.”
“419-2232. Go have fun, you sick fucking freak.” Jodie hangs up.
“Yeah…yeah,” I say to the dial tone before hanging up and calling the number.
***
I wake up, not moving a muscle, and assess the situation. The girl’s sheets are clean, uncomfortably clean (not good, but not a major problem) and she has posters on her wall (good) of bands – Placebo, Sum 41, The White Stripes – and one signed Jon Spencer Blues Explosion t-shirt hanging on a nail next to the door (all good[not the bands, but the fact that she has posters]). She also has some artwork (not good), most of it on posters (not good), but some of it is in specially marked posters (bad) presumably bought at the museums the artwork was on display at (very bad). The room itself is messy (good), although I don’t quite remember if it was that way when I came in yesterday, and I seem to remember her wearing a blue shirt with a stencilled picture of a woman on it (bad).
I very carefully turn onto my side, facing the girl’s room. Her clothes are lying around on the floor. I chew on my lip as I reach deep inside me, searching for anything that might mean I care. How often has she worn that bra? How many people have dreamt about her? Who gave her that Oasis album? How often has she listened to it? What did her parents think when she got her bellybutton pierced? Do they even know?
I admit I am curious, but I don’t care. Not really. I stare at her stereo system, the No Doubt CD that was playing last night long since finished. The stereo’s LED blinks happily in the dawn light, ready to serve, eager to please. It has no doubts,no second thoughts, no need to prove anything, no need, even, to find fulfillment in it’s faithfulness, it sees no necessity in purpose. The only thing it has ever known is patient service. The emptiness in my soul threatens to swallow my mind, and I curl up carefully so as not to wake the girl and sob into my knees, all too aware of my nudity.
***
I walk through the cloudy daylight, silently wishing I had not walked quite so far last night.
I cannot see the girl’s face, but I hear her voice, at first a gentle whisper, inquisitive, curious and unsure what’s wrong, but as she slowly turns-
I fumble for my keys outside the apartment door, suppressing a shudder. I wish I hadn’t cried, but not really. I finally find my keys, closing my eyes and tilting my head back as I put them in the lock and turn them. I step through the doorway and take off my shoes, a process that I get very wrapped up in.
I gently pull the two lace-ends apart until the bow on my left shoe unfolds, and then pull the overlapping end of the remaining knot off the other end, letting it flop softly against the side of my shoe. As for the bow on my right shoe, I pull only one lace-end – the one facing toward me – and let the knot dissolve in a slightly more complicated fashion. I then sit there in silence looking at my untied shoes for eleven minutes.
I close my eyes to better suppress a sob, but fail and feel tears running down my cheeks. When I open my eyes again I notice something. There is a small, grayish chip of something resting just past the threshold of the door leading to the hallway. I reach over to touch it. It is slightly soggy, and has the texture of something that used to be very wet but is now dry and crusty. It isn’t until I smell it that I realize what it is: a piece of vomit. I flick it into the hallway and stare at the parted door at the end of it.
“Biscuit?”
There is no answer.
“Uh…Biscuit?”
Still, there is no answer, and I wonder if he heard me cry.
“Biz?”
I decide to use his real name, for no obvious reason.
“Warren? Are you home?”
Somewhere in the apartment, a throat clears.
“Yes.”
When I step into Biscuit’s room I look at everything in it but him. Anything is better than having to look at him. Not that the room looks any better. Cans and shards of glass lie everywhere, with puddles of wetness glistening in the scant daylight reflected in through the hallway. One of the shelves by the back wall has been completely smashed, and a box of vinyls in the corner has been ripped apart, with it’s contents strewn across the room. I can see the cover of The Shamen’s Axis Mutatis lying ripped apart on the bed.
“So like…what, um, what’d you do…last night?” I ask.
Biscuit sniffles in reply, and I’m suddenly aware of someone standing behind me.
“Nothing a little chewing gum and vicadin can’t fix,” says a familiar voice, and I turn my head to see Tanner standing shirtless in the doorway behind me holding a cup of coffee.
“Oh, um, hey, man,” I say. “So I guess you’re like, back now, huh.”
“Fuckin’ right I am,” Tanner says and takes a sip of his coffee. “You look like shit,” he says to Biscuit before stalking off in the direction of the bathroom. I look at biscuit, expecting to find him exasperated and annoyed, but I am mildly surprised to find the most sincere and open expression on his face, and although it takes me a while, I eventually figure out what that look is: it is Biscuit being scared. At this exact moment, Biscuit is the most deliriously terrified I have ever seen him, or anyone else.
The room is completely dark, lit only by Biscuit’s cigarette and the beam of the streetlight shining in. I stare over at the faint ghost on the other side of the room. Biscuit hasn’t moved for hours. He just lies in bed, staring at the ceiling.
“I’m so bored I’m going crazy,” I say, hoping to elict some kind of response. I have no idea why it surprises me when there is none.
“I heard Cassie called.”
Biscuit takes a drag off his cigarette.
“She’s, uh, she’s been throwing up a lot lately.”
Biscuit looks over at me, but just for a second.
“Is she, um, is she like preagnant…”
-there is a quick glimpse in my head, the image of a young girl in her twenties keeling over as a sudden pain comes over her-
“…or something?”
Biscuit makes a low, quick, moaning sound in the back of his throat.
“Well, I’m, uh, I’m going out – like right now, yeah,” I say, and as usual, there is no response from Biscuit.
***
I’m outside, walking down the street with my hands in my pockets and thinking of home, of fishing with Warren Proyas, of lighting magazines on fire behind Mr. Botnick’s car, of chasing my sister into a deserted woodshack, of stealing pills from Simon’s grandmother’s medicine cabinet when I realize I have no idea where I am. I have become lost in the suburban maze and eventually succumb to panic when I cannot locate a street sign anywhere. I walk in a complete circle around a green dumpster sitting on the curb before sitting down on in the middle of the street.
It is very quiet in this suburb and I can faintly hear cars in the distance. I wonder if anyone in the cars knows me. I turn my head and look at the house on the other side of the street. I spot a window on the ground floor. Through it I can see a girl, slightly older than me combing her hair in front of a mirror. I study her for a long time to make sure I don’t know her and have never met her before I get out my cellphone and dial 411.
I have done this so many times that the process is automatic. Jodie Mercer is my operator tonight.
“Good evening, how can I help you?”
“Hey…ah…Jodie. What’s…what’s up?”
“God damn it, Vendredi, what do you want now?”
“I’m, um, I’m on this street…”
“You know that what you’re doing is illegal.”
“Uh…”
“It’s sexual harassment, Vendredi.”
“I just…want to know…what’s – what’s right…you know?”
“I’m sure it could even be constituted as rape.”
“Could you just…help me here, Jodie? I mean, I am, like, lost, you know.”
-the girl is clutching her stomach-
“Fine. Whatever. Where are you?”
“Well, I like, went walking, and I turned a right on Temple Fields, and I, I headed into the graves and,uh, past there…”
There is an incredibly exasperated sigh from Jodie. “You’re out by Mossy Hill? What the hell are you doing?”
“I’m just…you know, I just like, well, got here…you know?”
There is another sigh.
“Okay,” Jodie says impatiently. “If you walked straight past the upper graves you should on Brown Place, which makes sense because you’re lost and there aren’t any street signs-“
“Yes-“
“And all I need from you now is the house number.”
I walk backwards a few steps, backing into the street that the house actually faces and quickly spot the gold numbers by the front door.
“78180.”
“419-2232. Go have fun, you sick fucking freak.” Jodie hangs up.
“Yeah…yeah,” I say to the dial tone before hanging up and calling the number.
***
I wake up, not moving a muscle, and assess the situation. The girl’s sheets are clean, uncomfortably clean (not good, but not a major problem) and she has posters on her wall (good) of bands – Placebo, Sum 41, The White Stripes – and one signed Jon Spencer Blues Explosion t-shirt hanging on a nail next to the door (all good[not the bands, but the fact that she has posters]). She also has some artwork (not good), most of it on posters (not good), but some of it is in specially marked posters (bad) presumably bought at the museums the artwork was on display at (very bad). The room itself is messy (good), although I don’t quite remember if it was that way when I came in yesterday, and I seem to remember her wearing a blue shirt with a stencilled picture of a woman on it (bad).
I very carefully turn onto my side, facing the girl’s room. Her clothes are lying around on the floor. I chew on my lip as I reach deep inside me, searching for anything that might mean I care. How often has she worn that bra? How many people have dreamt about her? Who gave her that Oasis album? How often has she listened to it? What did her parents think when she got her bellybutton pierced? Do they even know?
I admit I am curious, but I don’t care. Not really. I stare at her stereo system, the No Doubt CD that was playing last night long since finished. The stereo’s LED blinks happily in the dawn light, ready to serve, eager to please. It has no doubts,no second thoughts, no need to prove anything, no need, even, to find fulfillment in it’s faithfulness, it sees no necessity in purpose. The only thing it has ever known is patient service. The emptiness in my soul threatens to swallow my mind, and I curl up carefully so as not to wake the girl and sob into my knees, all too aware of my nudity.
***
I walk through the cloudy daylight, silently wishing I had not walked quite so far last night.
I cannot see the girl’s face, but I hear her voice, at first a gentle whisper, inquisitive, curious and unsure what’s wrong, but as she slowly turns-
I fumble for my keys outside the apartment door, suppressing a shudder. I wish I hadn’t cried, but not really. I finally find my keys, closing my eyes and tilting my head back as I put them in the lock and turn them. I step through the doorway and take off my shoes, a process that I get very wrapped up in.
I gently pull the two lace-ends apart until the bow on my left shoe unfolds, and then pull the overlapping end of the remaining knot off the other end, letting it flop softly against the side of my shoe. As for the bow on my right shoe, I pull only one lace-end – the one facing toward me – and let the knot dissolve in a slightly more complicated fashion. I then sit there in silence looking at my untied shoes for eleven minutes.
I close my eyes to better suppress a sob, but fail and feel tears running down my cheeks. When I open my eyes again I notice something. There is a small, grayish chip of something resting just past the threshold of the door leading to the hallway. I reach over to touch it. It is slightly soggy, and has the texture of something that used to be very wet but is now dry and crusty. It isn’t until I smell it that I realize what it is: a piece of vomit. I flick it into the hallway and stare at the parted door at the end of it.
“Biscuit?”
There is no answer.
“Uh…Biscuit?”
Still, there is no answer, and I wonder if he heard me cry.
“Biz?”
I decide to use his real name, for no obvious reason.
“Warren? Are you home?”
Somewhere in the apartment, a throat clears.
“Yes.”
When I step into Biscuit’s room I look at everything in it but him. Anything is better than having to look at him. Not that the room looks any better. Cans and shards of glass lie everywhere, with puddles of wetness glistening in the scant daylight reflected in through the hallway. One of the shelves by the back wall has been completely smashed, and a box of vinyls in the corner has been ripped apart, with it’s contents strewn across the room. I can see the cover of The Shamen’s Axis Mutatis lying ripped apart on the bed.
“So like…what, um, what’d you do…last night?” I ask.
Biscuit sniffles in reply, and I’m suddenly aware of someone standing behind me.
“Nothing a little chewing gum and vicadin can’t fix,” says a familiar voice, and I turn my head to see Tanner standing shirtless in the doorway behind me holding a cup of coffee.
“Oh, um, hey, man,” I say. “So I guess you’re like, back now, huh.”
“Fuckin’ right I am,” Tanner says and takes a sip of his coffee. “You look like shit,” he says to Biscuit before stalking off in the direction of the bathroom. I look at biscuit, expecting to find him exasperated and annoyed, but I am mildly surprised to find the most sincere and open expression on his face, and although it takes me a while, I eventually figure out what that look is: it is Biscuit being scared. At this exact moment, Biscuit is the most deliriously terrified I have ever seen him, or anyone else.
